Jingsi Li (k)
Das zweite Ich
Prof. Gunter Reski
10. Mai 2019
Vielleicht ist unser ganzes Leben ein Weg, um uns selbst zu finden. Ich bin auf der Suche nach meinem zweiten Selbst oder einem wahrscheinlichen Selbst. Ich will überprüfen, ob es für mich passen könnte und wo die Komfortzonen meiner beiden Selbst sind. Es ist wie in einen Spiegel zu schauen und ein Gespräch mit sich selbst zu führen. Ich denke, es ist gut für mich, über meine Komfortzonen hinauszugehen. Ich suche gerne den anderen Typ/mein anderes Selbst. So wie ich es liebe, Leute auf der Straße zu beobachten. Du triffst dich selbst, indem du Andere beobachtest. Du springst aus deinem Wahrnehmungsbereich. In meinem Diplom zeige ich, was ich sehe, wenn ich unterwegs bin: Leute, Dinge etc. Das mag in den Bildern manchmal abstrakt wirken, aber der Prozess meiner Veränderung ist in meinen Arbeiten immer sichtbar. Wichtig ist für mich aber auch, was jede_r Einzelne mit eigenem Blick sieht: Denn wenn wir alle das Gleiche sehen und fühlen würden, gäbe es keine Individuen.
Painting is an “adventure for the optic nerve”. – Pierre Bonnard
Prof. Dr. Hans Zitko
When we talk about Pierre Bonnard, we think of Nabis, a special art group. The group dates back to September 1889, when Paul Sérusier, a student at the Julian institute of fine arts in Paris, met the impressionist master Paul Gauguin.
Guided by Gauguin’s art, Sérusier discovered a painting style with strong colours and strong decorative elements. Conscious of finding new artistic inspiration, he and several of his artist friends formed a group called Nabis, which means “prophet” in Hebrew.
In color, the members were deeply influenced by the impressionist master Guaguin’s „emphasis on color and simplification of form“. They ignore conventional perspective and prefer subjective perspective, and then create a subjective world with strong colours. In concept, they abandon realism and seek to reorganise the objective world with their own observation.
In addition, Nabis painters were deeply influenced by the decorative style of Japanese Ukiyo-e paintings. Therefore, they often use the strong adsorption picture materials such as card and paper instead of oil painting cloth to achieve the effect of natural color transition.
Pierre Bonnard is especially special among the Nabis. He thinks that painting is a copy of „the adventures of the optic nerve“. He also likes to depict dreams and memories, trying to show the shapes and colours captured by the naked eye above being given meaning. In addition, Bonnard was deeply influenced by Ukiyo-e painting art. His composition, color and technique of near and far can see the traces of Japanese prints art.
I like his work and I like some of his personal experiences. For example, he gave up being a lawyer and took up painting. He broke some rules and traditions to find what he really wanted to do. I think for me personality from the moment I decided to leave my University in China and study in Europe, I try to do the things what i really wann to do. I think our whole life maybe is about finding what you like, what you want to do or where you want to go.
Maybe i am still naïv to talking about life and live, but i really feeling much more that we are living sometimes in a circle. The circle here I mean for example: as we born we were a baby, and when we getting older and older is also like a baby. We are all or 80 Percent we are from starting until restarting in circle life. I mean as a designer or a artiste whatever you are right now, we could thinking firstly the Circle Life. Is a balance for me, or we should try to find the balance between the way you are right now, and What you do before, and the lived moment.
For me the true of art is also to represented the way you are. What you think, you see, you feeling… We are doing what we liked, loved and really enjoy it. Hopefully every one could find one by themselves. Art, here i mean is not only just painting. There is no rules or limit for me to separated the ART like music, writing or painting… For me they are all called ART.
Like Bonnard, he exploring new things is not just about painting techniques and materials. I think more about the growth and experience of people themselves. As we grow, we become more and more aware of what we want, and who we want to be…
We go to different places, see different sceneries, and try to talking with different people. It’s like I’m learning a new language. With language as the door, we could better understanding different cultures and communicate with each other. Maybe it’s more out of my strong curiosity. We try different things, just as we try to express what we see in different ways. Then present them in different types of media.
My Diplom plan still wants to continue to observe life, which is the inspiration of my creation and works. Maybe this time is little different because most of the time I spent doing my Diplom in Porto, Portugal. I hope this experience will give me new stimulation, inspiration, and motivation. In fact, the process of our own growth is also a process of continuous reconstruction and renovation. I really enjoy the way what I moved, changed, and only yourself could know the beauty and hardship of it. But I want to be able to put these feelings into my works.
Most times as I sketching on the street, I like to observe people on the street, just as we like to travel to different places. I think this process of observation and walking is also a way of finding myself. Human life is also looking for our own way.
So my Diplom These name it could be “The Way you are”. As we observe others, we also return to see ourselves. See what you want, what you want to draw, or how you want to draw it. Like Bonnard, his works present strongly what he sees, and feeling with thinking. I like his works, whether they are color or parts of his life expression.
But that’s not to say that I’m going to imitate his techniques of works. Research his works and read his experiences is also a part of my Diplom. Because it’s also a process of observation. And maybe i could see something similar of myself…Of course it would be nice if I could find some connection between my own works and his works.
2006 until 2008
University Jiangnan, China Visuelle Communication Design & Interior Design BA
2010 until 2013
Weißensee academy of art Berlin, Textile and Surface Design BA
2013 until 2015
University Potsdam, Communication Design, Illustration BA
2015 until 2019
Hochschule für Gestaltung Offenbach, Diplom-Designer
2007 until 2008
Internship in JINDOU Design company in Shanghai, China VI, CI, and Product Design, Movie Production
2012 Printing technique workshop with James, London, GB
2012 until 2012
Project with Designer David Littler, York, GB
2012 Workshop with Design company Row Color, Eindhoven, NL
2012 until 2013
Work with Green Workshop Wendland, project for company Voelkel
2013 left to right Poster Exhibition in Communication Museum, Berlin
2015 Top 10, the 12. Design Competition for greeting cards in Paper-world, Expo Frankfurt
2016 Exhibition in Galerie Art Supplement, Göttingen 07.2016 Exhibition Linien Toy, Offenbach
2017 Exhibition in Galerie Station, Offenbach
Interview Offenbach-Post Newspaper
2018 until 2019
Exchange Program in Porto, P